For the International Microwave Symposium (IMS), I designed GlobalFoundries’ conference booth to clearly communicate the company’s leadership in RF and wireless innovation. The goal was to create a bold, high-impact presence that would stand out on the expo floor while…
For GlobalFoundries’ Capital Markets Day 2022 event, I led the design of a comprehensive visual system to support executive presentations, investor communications, and event branding. The challenge was to unify GF’s evolving strategic story — from market positioning to financial…
This large-format wall graphic was created for the GlobalFoundries Burlington, VT fab to add visual energy and identity to a high-traffic common area. The goal was to create a design that reflected GF’s innovation, scale, and purpose—without overwhelming the space…
This large-format banner was created for GlobalFoundries to showcase their trusted role in the Aerospace & Defense sector. The design needed to quickly communicate the company’s credibility, U.S. manufacturing advantage, and secure supply chain positioning — all within the visual…
With the dawn of desktop computing, humanity unlocked incredible new powers: traveling the world from a beige box, visiting dinosaurs that moved at three frames per second, and wasting more time than ever imagined. Information was right there at our fingertips. My…
The first chapter of a look at my history with the internet. Today we are talking about the weird, wonderful world of bulletin board systems.
Social media has changed the way we communicate. Love it or hate it — or really hate it — it does serve a purpose. For instance, we no longer have to spend hours writing dozens of holidays cards. Make an…
Interested? Call or text Eric: 518.229.3364
Owen Reilly, a Los Angeles-based guitarist and frontman for the metal band Felon 13, wanted a website that reflected his energy on stage while positioning him as a serious, versatile instructor. The goal was to design a site that rocked visually but still guided visitors clearly toward booking lessons.
I designed SPAC’s seasonal program books and printed collateral to visually reflect the breadth of programming—from classical residents to jazz, theater, dance, and community events. Using a flexible modular layout, dynamic typography, and compelling imagery, the materials guide readers through…
For SPAC’s direct‑mail campaigns, I designed tactile, visually striking mailers that brought the organization’s rich programming and impact stories into people’s hands. Blending custom typography, bold photography, and smart hierarchy, I created pieces that captured attention in mailboxes and guided…